“Marjorie Prime” (** out of four) was a tepid story set in the not-too-distant future in which a husband and wife (Tim Robbins and Geena Davis) are able to utilize holographic recreations of deceased loved ones and how this enables both them and their mother (Lois Smith) to have a relationship with a younger version of the patriarch (Jon Hamm) of the family and how this leads to all of them questioning their identity and their relationships. Story attempts to incorporate themes of artificial intelligence and dehumanization in the overwhelming wave of technology but is overall muted and aloof, and plays like warmed-over themes from Stanley Kubrick. Interesting cast is mostly left high-and-dry.