“Demon Squad” (*1/2 out of four) was a lame horror comedy about a wiseguy paranormal investigator (Khristian Fulmer) who takes on a case to retrieve an ancient artifact which leads him into a world of vicious monsters and creatures of the night. Evidently, he’s the one person on Earth who never watched “Ghostbusters” or “Men In Black” because everything he encounters feels like a retread of that. Cheaply made and well-worn story goes nowhere fast.

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“The Odds” (*1/2 out of four) was an extremely odd and unpleasant story about a young woman (Abbi Butler) who takes part in an underground game of pain endurance for $1 million and soon finds that the game is rigged by its sadistic owner (James J. Fuertes) and she soon learns she has to physically and psychologically turn the tables on him. Unfortunately, there’s no reward for the viewer and the pain endurance they have to suffer by the end of this misfire. Might have worked better on the stage but it’s awfully tough-to-take as a feature-length film.

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“The Secret Life Of Pets 2” (*** out of four) was a delightful sequel to the 2016 children’s smash about the continuing adventures of Max (voiced by Patton Oswalt) and his pet friends (voiced by Eric Stonestreet, Kevin Hart, Tiffany Haddish, and others) while they embark into the city and the country when their owners go away to work. Fun animated family movie throws in everything but the kitchen sink and never stops moving and features plenty of colorful animation. Harrison Ford has a key voiceover role as a Welsh sheepdog.

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“The Haunting Of Borley Rectory” (* out of four) was a boring horror story about an ugly building named Borley Rectory which was alleged to be the most haunted building in the world before it was mysteriously destroyed by fire just before WWII and one inquisitive young soldier (Zach Clifford) investigates. Dour looking and molasses-moving movie is no fun at all; after a while, you may even forget you’re watching a horror movie. It’s about time the haunted house horror genre finally went back to Hell where it belongs.

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“Changeland” (*1/2 out of four) was a drab melodrama comedy about two lifelong friends (Breckin Meyer and Seth Green) who travel to Thailand to reconnect and to find their purpose and meaning in life. Don’t look for much more plot than that or for that matter much purpose or meaning in the movie. Beautifully filmed on actual Thailand locations but story and script are aimless and adrift and has little insight or laughs. Inauspicious directorial debut for Green. Macaulay Culkin and Randy Orton have minor supporting roles. Meyer’s effortless charisma and likeability is film’s only charge.

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“Recovery” (*1/2 out of four) was a moribund horror story set at a secluded heroin treatment center in which the staff (Hope Quattrocki, Mike Starr, and others) and patients (Stephanie Pearson, Liz Fenning, and others) are being killed off one-by-one and they need to find the killer and escape. Movie fans will note the return of first-rate character actor Starr who plays the villainous head doctor but the film itself never recovers from a glum script and by-the-numbers filmmaking. Not all that different from Sylvester Stallone’s “D-Tox”.

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“Dead End” (*1/2 out of four) was an aptly titled misfire set in L.A. as a young couple (Daran Acevedo and Sierra Collins) try to escape the cycle of drugs, crime, and violence that have entrapped them for years but find that leaving this life is much more fierce and difficult than they imagined. Promising opening about the drug trade and its effects on society proves to be a dead end in itself, as film becomes a by-the-numbers underworld story with unlikeable characters. Vivica Fox is top-billed but is only in the movie for a few scenes; clunkers like this make you wish someone would “set it off” for her and finally reignite her career.

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“X-Men: Dark Phoenix” (*** out of four) was a pensive final entry in the “X-Men” series focusing on Jean Grey (Sophie Turner) who suffers a tragic accident as a child which leads to her gradually developing superpowers that turn into the Dark Phoenix who threatens worldwide destruction while the rest of the X-Men (James McAvoy, Jennifer Lawrence, Michael Fassbender, and others) have to decide whether to save her or save the universe. Twelfth entry in the “X-Men” franchise (and a direct sequel to “X-Men Apocalypse”) is a satisfying conclusion to the series, with the expected array of dazzling effects and action sequences. Turner’s strong performance and melancholy aura and Hans Zimmer’s terrific music score are a good help for some occasional lulls in script.

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“Relaxer” (0 stars out of four) was a terminally weird and incomprehensible story set entirely in the livingroom around the Y2K apocalypse as it focuses on one guy (Joshua Burge) who has to survive- mentally and psychologically- by beating the latest Pac Man game and he is unable to get off the couch until he does. If you make it through the first 15 minutes, you might make it through the entire movie but at an hour-and-a-half- proceed at your own peril. Moronically self-indulgent movie is more of an experiment than an actual film.

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“Godzilla: King Of The Monsters” (*** out of four) was a kinetic sequel to the 2014 reboot about a paleobiologist (Vera Farmiga) for the company Monarch and her ex-husband (Kyle Chandler) who are thrust in the midst of an escalating battle between Godzilla and various other monsters including Mothra, Rodan, and the three-headed King Ghidorah. Loaded with spectacular visual effects and impressive large-scale action scenes that more than give fans their money’s worth. Story is a little thin but it’s more than compensated by its first-rate cast, including good turns from Charles Dance and Ken Watanabe.

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