October 30, 2023 “Killers Of The Flower Moon” (** out of four) was an impossibly long and dense adaptation of David Grann’s 2017 novel set in 1920’s Oklahoma in which lucrative oil is discovered on Osage land leading a recent veteran (Leonardo Di Caprio) to marry an Osage woman (Lilly Gladstone) and then he is persuaded by his ruthless uncle (Robert De Niro) to have her and all others killed systematically so they will inherit the oil and the land until the F.B.I. later interceded on this. Extremely well-acted and has a fascinating story but it wanders aimlessly for some time and is never as powerful or insightful as it should have been. Story goes on for nearly three-and-a-half hours but ending still feels truncated and abrupt. A disappointing reteaming of Di Caprio, De Niro, and director Martin Scorcese. Continue reading →
October 29, 2023 “The Neighbors Are Watching” (*1/2 out of four) was illogical fluff about a woman (Kabby Borders) trying to escape her past who moves into a new neighborhood in which she befriends a new neighbor (Will Holland) but soon witnesses him committing a grisly murder and can’t make anyone else believe her before she becomes his next victim. Glamorous lighting and cinematography are only window-dressing for a conventional and predictable story that you can literally predict after the first 10 minutes. Borders’ sincere performance helps but this still is hardly worth “watching.” Continue reading →
October 29, 2023 “Boudica: Queen Of War” (*1/2 out of four) was a lumbering historical drama about the female Celtic warrior (Olga Kurylenko) who rules the Iceni people alongside her husband Prasutgus (Clive Standen); when he is killed and Roman soldiers attempt to seize her land and property, she leads a rebellion and attempts to lead her people into a bloody battle for revenge. Kurylenko is always a beautiful and captivating actress but this unwieldy film doesn’t do her justice. Meandering and talky for most of its running time and even some of the battle scenes feel like outtakes from “Braveheart.” Continue reading →
October 29, 2023 “Suitable Flesh” (*1/2 out of four) was a ridiculous psychological thriller about a loony psychiatrist (a facelifted Heather Graham) who becomes intimately involved with one of her patients (Judah Lewis) which drives a further physical/emotional wedge between her and her husband (Jonathan Schaech) especially when she realizes that this patient is linked to an ancient and deadly curse. Good cast is wasted on a story that gets sillier with each scene and new plot twist and soon sputters and becomes laughable. Somehow, this is actually based on the H.P. Lovecraft story “The Thing On The Doorstep” and they should have left it there. Continue reading →
October 29, 2023 “Rebroken” (*1/2 out of four) was a needless horror psychodrama about a grieving father (Scott Hamm Duenas) in recovery who receives mysterious messages from a stranger (Tobin Bell) which allows him to communicate with his deceased daughter but what at first seems like a miraculous and wondrous breakthrough turns out to have severe consequences. Exploitative and pretentious attempt to mix addiction and recovery into a suspense thriller mold with weak results. Bell (aka Jigsaw) is wasted and likely only cast for his name/poster value here. Continue reading →
October 28, 2023 “A Town Full Of Ghosts” (** out of four) was a mostly empty horror melodrama about a couple (Andrew C. Fisher and Mandy Lee Rubio) who move into a supposed ghost town with visionary plans to restore it but soon find that it is full of deadly and dark secrets that threaten to tear them apart and anyone in their path. Unnecessary entry in the found-footage horror genre although final third (when film finally gets going) does provide some style and scares. Still, film only runs over an hour long and still seems padded and protracted. Continue reading →
October 27, 2023 “Milli Vanilli” (*** out of four) was a piercing documentary about the legendary pop duo (Rob Pilatus and Fabrice Morvan) and their rise from obscurity and poverty to almost-immediate international fame and wealth and abrupt crash when it was revealed they weren’t really the singers which later led to tragedy. A well-made look at the temptations (and trappings) of fame with candid interviews from Morvan himself and others involved in the scandal although not quite as powerful as VH1’s “Behind The Music” episode on them done years ago. Morvan’s recent live performance of “Blame It On The Rain” at the very end is one of film’s strongest moments. Continue reading →
October 26, 2023 “Apocalypse Clown” (*1/2 out of four) was a tiresome comedy set in Ireland about a mysterious technological blackout that plunges the country into chaos; realizing that the end of the world may be near, a group of washed-up clowns (David Earl, Natalie Palamides, and others) travel the country for one last attempt at achieving their clown dreams. Good-natured but innocuous movie is a one-joke premise stretched well beyond its lengths at nearly two hours. Some good visual stylistics can’t save it. Even still, this won the Best Film Award at the Galway Film Festival this past summer. Continue reading →
October 26, 2023 “The Quantum Devil” (** out of four) was a sketchily done horror thriller about a group of international scientists (Neil Dickson, Tyler Tackett, and others) who are summoned to a location in Europe to breach a quantum barrier and travel to another dimension but soon find that this has lethal effects on their psyche and stability. Shoddy and silly at first but starts to grow in intrigue as it goes along and does feature some psychedelic imagery and scares, just not enough to sustain a whole film. Continue reading →
October 25, 2023 “Shrapnel” (** out of four) was a detached action melodrama about a former Marine (Jason Patric) and his former war buddy (Cam Gigandet) who team up to go after a Mexican drug cartel after the disappearance of his daughter but soon find that things are about to get really ugly on the sides of the border. Film has the requisite amount of gunplay and violence for genre fans but overcome by a sense of ennui and boredom. Typical one-note performances from Patric and Gigandet don’t help. Similar story to “Taken” and “Rambo: Last Blood” but not up to the artistry of either. Continue reading →
dlepikcom 