November 11, 2023 “Fuzzy Head” (* out of four) was a brain-dead psychodrama about a woman (Wendy McColm) who has to search through her cognitive thoughts to review her childhood trauma and memories and unlock the secret about the death of her mother (Alicia Witt) and the many (Rain Phoenix, Fred Melamed, and others) who may have been involved. Incoherent movie is a garish jigsaw puzzle you don’t even want to begin to put together. This was a cult favorite at this year’s Slam Dance Awards festival but evidently they weren’t dancing quite enough. Continue reading →
November 10, 2023 “The Great Escaper” (***1/2 out of four) was an exquisitely done melodrama based on the true story of Bernard Jordan (Michael Caine) who escaped from his hospital-care home where he resides with his wife (Glenda Jackson) to attend the 70th anniversary of the D-Day landings in France which brings back a host of painful memories and unresolved emotions for him. Eloquently and delicately handled with plenty of emotion and powerful moments along the way, all the more so because this may be Caine’s final role and Jackson died before the film’s release. Their touching scenes together at the end anchor film. Kudos also to Craig Armstrong’s stirring music score. Continue reading →
November 10, 2023 “Malibu Horror Story” (**1/2 out of four) was a proficiently done horror thriller about a team of paranormal investigators (Dylan Sprayberry, Robert Bailey Jr., and others) who search a sacred cave for clues in an unsolved case involving the disappearance of four Malibu teens but soon find that evil and terror awaits. One of the better found-footage horror genre movies, with some considerable tension and scares and nail-biting suspense along the way. Too minimalist and familiar overall but still much better than most of its kind. Some scenes are a direct homage to “The Blair Witch Project” which started this genre nearly 25 years ago. Continue reading →
November 10, 2023 “Hell’s Coming For You” (*1/2 out of four) was an anonymous horror melodrama about an international bounty hunter (Dillon Dilliagaf) who is now paralyzed but faces grave enemies from former criminals he apprehended in the past and soon finds that all Hell is about to break loose (but not really). Star Dilliagaf is a real-life disabled paraplegic and probably deserves a much better starring vehicle than this forgettable trifle. All you can hope is that better scripts and roles will be “coming” his way soon. Continue reading →
November 9, 2023 “Rumble Through The Dark” (** out of four) was a flat-footed melodrama set in the Mississippi Delta in which an aging bare-knuckled fighter (Aaron Eckhart) agrees to step back in the ring for one last fight to pay off him and his mother’s (Marianne Jean-Batiste) debts to the local mob and save their family house. Eckhart is solid as usual in a change-of-pace role for him and there are some poignant individual moments but these are lost within film’s routine framework and overlength. Rich music score by Brad Smith is a definite highlight. Continue reading →
November 9, 2023 “Secrets Of A Celebrity Nanny” (*1/2 out of four) was a bland collection of suspense and horror cliches about a nanny (Yolanthe Cabau) who is hired to care for a celebrity but soon becomes worried for her safety when strange occurrences start happening and she subsequently learns that the previous nanny was murdered but by whom? Typical suspense thriller whodunit in which you don’t care much about the who or the why. Competent direction from seasoned television filmmaker Dylan Vox can’t overcome awesomely hackneyed script and story. Continue reading →
November 7, 2023November 7, 2023 “A Haunting In Venice” (** out of four) was a leaden suspense melodrama about the detective Hercule Poirot (Kenneth Branagh) who now lives in exile in post-World War II Italy and attends a seance with others (Tina Fey, Jamie Dornan, Michelle Yeoh, and others) and when one of the guests turns up murdered, it is up to him to put back on his detective jacket and find the killer. Third of Branagh’s Agatha Christie adaptations begins well and is alluringly shot but soon fizzles out and becomes dry and sluggish. By the end, it’s a whodunit which you don’t care about who did it or why. Fey fares best in her first non-comic role. Continue reading →
November 6, 2023 “The Killer” (** out of four) was a pretty dull noirish melodrama about a professional assassin (Michael Fassbender) who is battling to stay alive when faced with a conflict with various employers which challenges his own code of ethics and survival skills. With David Fincher at the helm, you know you’re going to get style but you don’t get much else in the muddled and pretentious proceedings. Long stretches of silence and slow-motion don’t add anything and film has hardly any story. Extremely similar to previous hitman-stories “The American” and “A Prayer For The Dying”. Continue reading →
November 5, 2023 “A Tale Of Two Guns” (*1/2 out of four) was a lackluster Western that fires all blanks about a determined marshall (Tom Berenger) who attempts to put an end to the violent siege of various gunfighters (Casper Van Dien, Jeff Fahey, and Danny Trejo) leading to a bloody showdown. Western filmmaking by-the-numbers with saloons, shootouts, lots of dust but not lots of excitement and much of the cast are wasted. Does anyone remember when these types of movies were actually fun? Continue reading →
November 5, 2023 “Death On The Border” (** out of four) was a half-hearted suspense melodrama about a woman (Shannon Elizabeth) trying to help a detective (Frank Whaley) who has hit rock-bottom by trafficking in illegals across the Mexican border which leads to involvement with various cops and underworld enforcers (Eric Roberts, Danny Trejo, and others). Topical story of sex-trafficking and border chaos has a solid cast but mild and sputtering results. You can only imagine what Sam Peckinpah and Walter Hill might have done with material like this. Continue reading →
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