“Caddy Hack” (* out of four) was a pitiful horror comedy about a series of gruesome murders at an upscale golf club caused by killer gophers while the greedy owner (Jim Gordon) tries to cover all of it up and an unhinged groundskeeper (Nick Twist) wages war and tries to kill them all one by one. Title and story are obvious puns on the classic comedy “Caddy Shack” but trust me this makes that movie (or its sequel) look like “Citizen Kane” by comparison. This cheezoid mess looks like it was made by a group of hacks or film-school dropouts.

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“Appendage” (** out of four) was an unpleasant horror psychodrama about a young fashion designer (Hadley Robinson) whose life starts to spiral out of control as her dark inner thoughts begin to manifest into something external and gruesome that won’t stop growing until it takes over (and tries to end) her life. Robinson (who resembles a young Claire Danes) is good in the lead but is overcome by pretentious and cumbersome material. Film’s title is appropriate since it’s made up of “appendages” from other (better) films.

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“Maestro” (** out of four) was a curiously flat biography about legendary film composer Leonard Bernstein (Bradley Cooper) and his lifelong relationship with actress Felicia Montealegre Cohn Bernstein (Carey Mulligan) throughout the years. Star Cooper also directed with lots of reverence but he fails to involve you in Bernstein or make you care much about his character- or thus the movie. Final scenes work the best but film on a whole is pretty aloof and unmoving. Many critics thought this was extraordinary but I’m not among them.

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“Candy Cane Lane” (** out of four) was a harmless but interminable holiday comedy about a family man (Eddie Murphy) who is determined to win the prize for Christmas decorations in his neighborhood and makes a deal with an elf that plunges the town into holiday chaos. Colorfully designed and vibrantly shot and Murphy is solid as always but it goes on forever with hardly enough story to keep it afloat. A few nice moments are sprinkled in the mix but by the end you may feel like saying Humbug. David Alan Grier is nicely cast as Santa Claus; this marks the second collaboration between him, Murphy, and director Reginald Hudlin.

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“In The Land Of Saints And Sinners” (** out of four) was a fairly one-note melodrama set in Ireland in which an Irish hitman (Liam Neeson) is trying to make up for his lifetime of sin and murder but finds that he cannot escape his former lifestyle as he continues to be faced with moral and personal opposition from various friends and members of the underworld (Colm Meaney, Desmond Eastwood, Kerry Condon, and others). Well-acted and remains watchable but missing the dramatic fire and multi-dimensional characterization that this type of film needs to make it really compelling. Second collaboration between Neeson and Meaney and also director Robert Lorenz and is about on par with previous efforts “The Marksman” and “Marlowe.”

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“You’re All Gonna Die” (*1/2 out of four) was a senseless murder melodrama about a group of social justice advocates (Martin Donovan, Lori Petty, Richard Tyson, and others) who raid a campsite in order to find a serial killer but one-by-one they are all systematically killed and they struggle to escape. Filled with cliches and plot fragments from “The Texas Chainsaw Massacre” and “Wrong Turn” and confusingly told in a haphazard style. Collection of promising 80’s/90’s actors holds your interest initially but this film is sadly another reason why their careers soon “died.”

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“Night Of The Missing” (*1/2 out of four) was a terminally weird and arch anthology-horror story set on a stormy Christmas Eve in a small-town in which the sheriff is a killer (Meredith Thomas) and is visited by a strange young woman (Jill Awbrey) who tells her four less-than-enthralling horror stories about other killers and swell holiday folks. Genuinely bizarre without being entertaining, to say nothing of not being scary or funny. Horror cult legend Bill Moseley has a small supporting role but even he isn’t able to turn this into anything watchable.

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“Transmorphers: Mech Beasts” (** out of four) was a robotic sci/fi action thriller set 20 years after the original “Transmorphers” in which a newer and more advanced species of alien robots descend on Earth and threaten to wipe us away into extinction while a group of rogue military operatives (Tom Arnold, Matthew Gademske, Geena Alexandra) attempt to save the planet. Yet another low-budget Asylum cash-in on a much more extravagant mainstream movie (“Transformers” if you had to guess) and seems to have come off an endless assembly line. Having said that, the visual effects are decent and it has enough fast-paced action for those that are not too demanding.

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