“The Frontier” (** out of four) was a lukewarm crime melodrama about a fugitive from the law (Jocelin Donahue) who drives into the The Frontier, an isolated diner and motel in the middle of the desert, where she soon realizes both the owner (Kelly Lynch) and other patrons are involved in a robbery and various double-crosses. Twisty story maintains interest at the beginning but after a while- you soon realize there’s no reason to care about any of these characters or their plights. Donahue’s strong lead performance helps to keep this afloat and watchable but it still comes up empty.

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“The Hoarder” (**1/2 out of four) was a better-than-average Redbox horror thriller about a young woman (Mischa Barton) and her sarcastic friend who break into an underground storage facility but find themselves trapped and stalked by a mutant killer and the facility’s deranged owner. Good-looking horror movie is well-made and well-acted but starts to get repetitive in its second half and its ending is a letdown. Still, a considerable cut above most direct-to-Redbox junk.

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“Eliminators” (*** out of four) was a slick, stylish action thriller about a former U.S. federal agent (Scott Adkins) who is forced to come out of retirement to save his young daughter when multiple thugs mistakenly break into his home and his daughter is kidnapped and both their lives are threatened. High-octane story features plenty of hand-to-hand combat and explosive action. Adkins doesn’t exactly have Oscar acting ability but he has cool martial arts moves and film lovers will enjoy seeing “Braveheart” actor James Cosmo as the main villain.

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“Night Of Something Strange” (*1/2 out of four) was something awful about a group of teenage partiers (Trey Harrison, Rebecca Kasek, Wayne Johnson) who get detoured to a local motel where a deadly STD virus is running rampant and turns those infected into the walking dead; they are subsequently pursued by a zombie who looks like a bad cross between Mick Mars from Motley Crue and Gene Simmons from Kiss. Crude, stupid umpteenth rip-off of “Night Of The Living Dead” proves once again that the zombie genre needs a transfusion of fresh blood and ideas but that doesn’t appear like it’s going to happen anytime soon.

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“The Fiance” (*1/2 out of four) was a jumbled, confusing horror thriller about a bride (Carrie Keagan) who is bitten by the legendary Bigfoot and is soon transformed into a terrifying creature who is hellbent on murdering her fiance and anyone who gets in her way. Potentially fun horror story is undone by inept storytelling and direction and characters with no appeal whatsoever. Horror fans would best leave this one at the altar and watch “Wolf”, “Sasquatch”, or even “Harry And The Hendersons” instead.

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“Mr. Pig” (**1/2 out of four) was a leisurely but easy-to-take character study about an old man (Danny Glover) who becomes attached to the pig that he is taking to the slaughterhouse and decides to keep him, as he tries to attend to his failing health and tries to salvage his relationship with his estranged daughter (Maya Rudolph). A perfect example of how a terrific actor (Glover) can make all the difference with a thin script and story and make it watchable although the movie does get a little redundant after a while. Touching ending and a pretty adorable pig are plusses.

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“Blood Punch” (*1/2 out of four) was a mind-numbingly stupid horror thriller about a rehab counselor (Milo Cawthorne) drawn into a love affair with a sexy young woman (Olivia Tennet) who lures him to a cabin in which he is ambushed by her psychotic friend (Ari Boyland) which leads to numerous grisly and supernatural complications for all involved. Seemingly endless movie goes on and on and gets dumber by the minute although Tennet is good as the femme fatale he meets. Made in 2014, this could have remained on the shelf.

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“ISIS: Rise Of Terror” (***1/2 out of four) was a searing, powerful documentary from The History Channel about the beginnings of ISIS in 1999 and how it spread through various leaders and political organizations into becoming a global terrorist threat that has caused controversy and fear to this day. Features a staggering array of behind-the-scenes news footage, interviews, and information involving Obama, former President Bush, and acts of random and shocking violence. Excellently well-researched and developed documentary is a must for those unfamiliar with ISIS and political historians.

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“Hero Of The Underworld” (** out of four) was a muddled character study/melodrama about a drug-addicted night manager (Tom Malloy) of an upscale L.A. hotel who meets a young prostitute (Nicole Arianna Fox) who is beaten up badly and he attempts to find her and rescue her and bring her- and himself- out of the abyss. Grim storyline has a strong central performance from Malloy but fails to connect emotionally and never shifts into high gear. It’s also hard to understand exactly why he becomes so obsessed with Fox and saving her and this limits the story’s impact.

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“Yoga Hosers” (*1/2 out of four) was a flashy but dumb teen comedy about two teenage yoga and music enthusiasts (Lily-Rose Depp and Harley Quinn Smith) who team up with a dimwitted hunter (Johnny Depp) to stop an evil presence (Ralph Garman) that is threatening their native Canada. Yet another comedown from writer-director Kevin Smith who in better days directed “Clerks” but that’s seeming farther and farther away every year for him. Co-stars Depp and Smith are engaging and could have been fun with an actual script. Other co-stars Johnny Depp and Garman are nearly unwatchable.

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