“My Scientology Movie” (** out of four) was a rambling documentary narrated and documented by screenwriter Louis Theroux showing him investigating the controversial Church Of Scientology and how it’s religion has alternately alienated and captivated the world. Fascinating subject matter of scientology and its administrators and followers but film is tedious and repetitive after a while and doesn’t tell you much about scientology itself. Features television interviews with scientologists Tom Cruise and Marty Rathbun. It’s surprising Michael Moore hasn’t tackled this material yet.

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“The Evil Gene” (*1/2 out of four) was an evil bore about a none-too-bright F.B.I. agent (Richard Speight, Jr.) sent to a federal correctional facility to investigate a murder but soon uncovers that there may be sinister forces at work. Apparently, he never watched either “The Shining” or “The Amityville Horror” (or even “Paranormal Activity”) or he would have been miles ahead of this story. By-the-numbers horror trash that’s only for those who will watch anything and everything that comes out. Watch “The Evil Dead” again instead.

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“2 Jacks” (*1/2 out of four) was a losing hand told in two separate parts about a legendary but over-the-hill film director (Danny Huston) struggling to regain his footing and respect in Hollywood; film’s second half inexplicably shifts to his son (Jack Huston) who is struggling to break through in Hollywood. A disappointment from director Bernard Rose who has been a noted stylist who directed “Candyman”, “Immortal Beloved”, and many others; this time his story is aloof, incomprehensible at times, and too often boring. Both Hustons try their best but having them play father-and-son is a casting stunt that doesn’t pay off.

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“Certain Women” (*1/2 out of four) was a muddled and boring melodrama about the intersection of the lives of three women (Kristin Stewart, Laura Dern, Michelle Williams) in small-town America and the effects it has on all of them. Good cast is wasted on a misfired story about relationships, fate, and taking chances in life. Director Kelly Reichardt is obviously inspired by the early works of Robert Altman and Jonathan Demme but her work misses a certain power and fire. Striking cinematography by Christopher Blauvelt is an undeniable standout.

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“All Through The House” (*1/2 out of four) was a gory, stupid slasher thriller about a serial killer dressed in a Santa Claus outfit who returns to his hometown to punish those who’ve been naughty and not nice and numerous sorority girls who’ve moved into his old home. Strictly for those who couldn’t get enough of “Silent Night, Deadly Night” or “Black Christmas.” Gruesome stuff well worth missing. Yet another horror mess that makes you nostalgic for the ’80’s when these movies were actually fun.

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“Phantasm V: Ravager” (* out of four) was an incoherent fifth and hopefully final entry in this wearisome series about the continuing adventures of warrior Reggie (Reggie Bannister) who is out to end his vendetta against The Tall Man (Angus Scrimm in his final film appearance). So disjointed and confusing you could watch it backwards and it would probably make just as much sense, but this task is recommended only for die-hard fans of the series. Scrimm is wasted; Bannister is hilariously awful. Easy to see why this mess sat on the shelf and wasn’t completed for years. Only some imaginative visuals keep this from a rockbottom zero.

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“Happy Birthday” (*1/2 out of four) was a crude, ridiculous comedy that is a birthday present left unwrapped. Two moronic friends embark on a road trip to Mexico for a birthday celebration but after a night of wild partying, they are imprisoned by two hookers who hold them hostage for a ransom. Or so it seems. Mash-up of “The Hangover” and “The Game” is sunk all the way by stupid characters and dumb writing. Steven Tyler from Aerosmith has a bit part as a psychedelic tent leader but he should dream on if he thinks this is going to lead to a side-career for him.

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“The Magnificent Seven” (*** out of four) was a sturdy and smooth remake of the 1960 Western classic about a town under the deadly control of an evil industrialist (Peter Sarsgaard) who desperately employ the protection of seven outlaws (led by Denzel Washington and Chris Pratt) to defend their town and save their lives. Director Antoine Fuqua’s first Western is no classic but is visually stunning, has a terrific music score by James Horner (in his final film score), and its final showdown will have you on the edge of your seat. Washington is first-rate as usual and Sarsgaard makes a strong villain and carry you through some brief lulls in the middle.

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“Cafe Society” (*** out of four) was a richly entertaining comedy set in the golden era of Hollywood in the 1930’s in which a naive young man from the Bronx (Jesse Eisenberg) moves to Hollywood to become a star and falls in love with the secretary (Kristen Stewart) of his powerful movie-mogul uncle (Steve Carrell) leading to complications with all of them. Director Woody Allen has been down this road before (“Bullets Over Broadway” comes to mind) but movie is loaded with funny one-liners and good chemistry and camaraderie from its three leads. Eisenberg is much more charismatic and less annoying than usual and Stewart’s usual one-note and one-expression performance is used to good effect here.

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“The Curse Of Robert The Doll” (*1/2 out of four) was a dreary, derivative sequel to last year’s equally awful “Robert The Doll” that I don’t exactly think anyone was crying out for. This time around, a student (Tiffany Ceri) takes a night shift working at the museum and begins to suspect that Robert is alive and wrecking havoc after hours and she attempts to stop him. Apparently, she never watched “Child’s Play” or even “Annabelle” or she would have been miles ahead of this story. She should instead try and stop writer and director Andrew Jones before he makes a third movie in this horrid series.

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